Looking for medina, metius, media, medic?

black fabric shot with white; short, wide pants; high waist; attached belt; two pockets — Pair of trousers, 20th century
Danu

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pleated skirt; blue waistband with added ties of black and white ribbon-like fabric; skirt in two sections--top 6" (approx.) of dark blue; lower section of black with geometric embroidery in red, green, white and some gold; side panels of bottom section are plain blue without embroidery — Skirt, 2007
Miao

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dark blue waistband and top section; tightly-pleated bottom section of cream-colored fabric with blue stripes; long ties — Woman's Skirt, Date Unknown
Miao

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five vertical panels stitched together to form an single panel; brown cloth with images rendered in black pigment; inscriptions in Japanese characters in URC; trees in ULC; seated figures in LRQ and LLQ — Bast fiber wall hanging, 19th century
Unknown

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blue fine pleated skirt; subtle blue and brown stripes on one side; cord ties; black tape loop at front — Skirt, c. 2000
Dong

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pleated skirt; horizontal striped waistband with tan, blue and green stripes; top section is blue (indigo?) with two narrow blue and white stripes above appliqué and a wide blue and white stripe below; appliqué in orange, green and blue geometric shapes; fabric under appliqué is dark blue with white pattern; lowest section of skirt is heavy black fabric in two layers — Skirt, c. 2007
Miao

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loose connected characters, both saturated and dry brush marks — Li Bai's Preface for a Spring Evening Banquet with Cousins in a Peach Plum Garden, first half 17th century
Shōjō Shōkadō

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indigo dyed woven net, tapered toward bottom — Net bag [one of a pair], early 20th century
Unknown

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blue dyed woven net, tapered at bottom — Net bag [one of a pair], early 20th century
Unknown

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red lacquer; abstract, irregular form resembling the shape of a cat's head; small slit near upper center surrounded by rugged, raised surface; hole in bottom echoing shape of figure, exposing black interior with beige paint; rests on dark blue pillow — Acceptable, 1999
Sasai Fumie

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large, rippled black form resembling a wrinkled, windblown tarp — Flag-01, 2013
Kofushiwaki Tsukasa

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tall, wavy wall; dark on one side, reddish-brown wood-grain pattern on other side — Inner Side—Outer Side, 2014
Tanaka Nobuyuki

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long red petal shaped form with top edges curving inward; horizontally oriented — The Tactile Memory: Floral Impression (2011-II), 2011
Tanaka Nobuyuki

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curled leaf; red on exterior, brown on interior; some intentional holes — Wing of Foliage: Bending in the Wind, 2015
Muramoto Shingo

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dark background with flying cranes; white and light blue abstract zigzagging Matsukawabishi design; purple cords and ties — Noh costume (hitatare), first half 20th century
Unknown Japanese

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large, "folded-over" organic form, asymmetrical design; dark brown, wood grain texture — Form Remaining in Memory 2012, 2012
Tanaka Nobuyuki

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Clove Lace, Claire Zeisler — Clove Lace, 1986
Claire Zeisler

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braided wool yarn with interwoven glass beadwork, indian hemp — Sash, 19th century
possibly Haudenosaunsee (Iroquois)

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2 fields of embroidery in cross design in yellow and maroon with red and white applique; blue border; backed with plaid fabric and printed fabrics (pink with yellow bows and red with grey and white diamonds) — Baby Carrier, Date Unknown
Miao

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Skirt Length, White Miao Skirt Length, 20th century

Miao

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very large image of Shoki in black robes and black boots holding very tall straight sword in PR hand; very full, windblown beard and hair, fierce face, bushy eyebrows — Festival banner of Shōki, the Demon Queller, 19th century
Shōka

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blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle — Long-sleeved jacket for kyōgen theater [from a set], early 20th century
Unknown Japanese

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pleated blue pants with beige symbols on L and R legs and at front waistband; two long ties attached to either side; open slits down both sides; bottom cuffs and top waistband are sewn shut; — Long trousers (nagabakama) for kyōgen theater [from a set], early 20th century
Unknown Japanese

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pink hemp kimono, with split horizontal midsection, and darker edges on sleeves at bottom — Safflower-colored child’s kimono, late 19th-early 20th century
Unknown Japanese

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cloth jacket with white background and light blue stenciled triangles, with white, horizontal lines dividing triangles into three sections — Short jacket for the Gion Festival (Gion matsuri happi), early 20th century
Unknown Japanese

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brown robe with tan pattern; repeating pattern consists of two small triangles and two small line and dot symbols; strip of white fabric lining along interior center seam — Dark brown-ground kimono with beige decoration, late 19th-early 20th century
Unknown Japanese

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painting on fabric of an injured, bloodied, and bandaged man with proper left arm upstretched to the top of a bamboo wall behind figure; proper right hand holding a long, thin, bloody blade pointed down to ground; paper mount covered with silver/gray silk border with fern pattern; dark brown wood roller; arrived in a natural wooden box with lid, futomaki roller, and brown outer carton with paper label on one end — Hard Fighting Shōgitai Warrior, 1868
Tsukioka Yoshitoshi

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two pieces that bolt together to form long open vessel with jagged upper edges; brown/grey/taupe; component b is on left when viewed from front and is higher on the end — Fallen Moon 1, 1994
Kofushiwaki Tsukasa

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4-part sculpture composed of long, black leaf like forms highlighted with red pigment, eminating from base like a fountain when assembled — A Leaf, so It Has a Back and Front, 2000
Kofushiwaki Tsukasa

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cloth trousers with straps that go over shoulders; sage-green at top of trousers that fades into an indigo color; white emblem at top flap of trousers, with stacked white liner hexagons throughout top green area; stylized origami birds and same scalloped design that is at the top flap are throughout the middle blue area; thin maroon straps attached at PR and PL outer leg area — Long trousers (nagabakama) for kyōgen theater [from a set], early 20th century
Unknown Japanese

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cloth jacket with indigo-dyed fabric that fades into a sage green color; stylized origami birds at top, with two circular emblems on PR and PL sides of opening, each with a maroon vertical band of fabric; two flaps of fabric in same maroon color at PL and PL opening; stacked white hexagon shapes throughout green area — Long-sleeved jacket for kyōgen theater [from a set], early 20th century
Unknown Japanese

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light pink kimono — Safflower-colored kimono made in Yamagata Prefecture, late 19th-early 20th century
Unknown Japanese

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tunic with V neck (front and back); sleeveless; dark brown on one side--streaked with lighter brown on other side (sun fading?); sleeve openings trimmed with buttons; white seed or shell trim at neckline and hem; green thread trim at sleeves and neck opening — Thingding (woman's smock), mid 20th century
Taungyo

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image of Mt. Fuji in blue tones at upper center; image reflected in rippled water below; narrow blue cloud cuts across top — Double Fuji, 1994
Naitō Hideharu

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kimono in a taupe color, with thin blue lines forming a grid pattern — Grey-ground kimono with line pattern made on Tsushima Island, late 19th-early 20th century
Unknown Japanese

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red lacquered leaf form with trailing silver dot design beginning at bottom; patterned metal on back; small angled metal tube for mounting — Wing of Foliage #32, 2010
Muramoto Shingo

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bulbous red organic form with two leg-like formations ending in two small peaks at end — Beloved, 2007
Sasai Fumie

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organic, leaf like form supported by forked twig that becomes portion of the form's body, and tall, narrow point; another smaller twig supporting bottom; black and rich brown lacquer with faint gold pattern — Wing of Foliage #10-09, 2012
Muramoto Shingo

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black-green gourd-shaped vessel with two three-dimensional snails crawling on lid; sparsely decorated with red, green, and gold geometric motif on front and back; gold boarder around lip of vessel with purple flowers and inlay — Protection Box "Snails", 2011
Aoki Kōdō

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large biomorphic red lacquer form; one rounded anatomical end; opposite end resembles samurai helmet with deep fluting that converges to inverted point — Substantial Fruit, 2014
Sasai Fumie

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tall abstracted rooster; gold and black zigzagging feather motif down back and lower front; red comb at top with organic black and gold details; squinting eyes — Kai-sao—The Hen Who Conceived a Child, 2009
Yoshino Takamasa

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curving, organic, triangular form with clipped and beveled edge; smooth, reflective black lacquer — To the Night, 2008
Igawa Takeshi

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black lacquer; two human torsos, legs, feet meet together in middle, forming a curved, organic shape; one figure kneels with legs splayed, the other half appears to be pushing into central form — BODY 09-1 "Impact", 2009
Aoki Chie

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black and red, gracefully curving oblong form that extends into a pair of legs with arched feet and splayed toes; one leg is mostly red, the other is mostly black — BODY 07-2, 2007
Aoki Chie

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crescent-shaped form with irregular edges; irregular "chiseled" surface resembles choppy water — Voyage of Time, 2007
Igawa Takeshi

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round chevron weave base with two layers of sun-burst of bent bamboo fronds — Moon Rise on Autumn Fields, 2007
Uematsu Chikuyū

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black velvet with gold embroidery; black cotton waistband tube for sash; white muslin lining throughout shalvar of black cotton velvet with heavy raised bands of vertical and gold embroidery; horizontal embroidered motif at side — Skirt, 19th century
Turkey

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beige-colored woven kimono with dark indigo cloth edging on sleeves, neckline and opening — White workwear (noragi) with dark blue appliqué, early 20th century
Unknown Japanese

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dark brown coat with navy shoulder piece and light blue collar; brown reinforcement trim on armpits, neckline, and bottoms of sleeve openings; double button and loop closure on front waist, two exterior and one interior button and loop closure on neckline; six faded, white characters on front chest and faded white seal on back center — Traveling coat of paper (kamiko dōchūgi), late 19th-early 20th century
Unknown Japanese

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long blue coat with horizontal woven texture; dark blue fabric on shoulders and BC; solid blue collar; interior lined with various blue fabrics, patterned on front and lower back sections — Light blue workwear (noragi) jacket, 19th century
Unknown Japanese

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leaflike form; texturized with thin, subtle, raised parallel "spines" of thin bamboo strips; black lacquer with some exposed bamboo; gently upturning sides — Sound of the Wind, 2011
Igawa Takeshi

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abstract leaf like form with mother-of-pearl inlay at top and near bottom; opposite side resembles bat wing; attaches to small rectangular wooden base — Wing of Foliage #37, 2010
Muramoto Shingo

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small panda figure with PR arm raised; stands on PR foot on square base covered in strips of mother-of-pearl; bear is covered in mother-of-pearl chips with black lacquered face and inner ears; eyes, nose, and cheeks painted in gold — Bear: Glittering, 2010
Sano Akira

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light tan hide; beaded bodice on front and back with black, white, red, and yellow beads in arcing horizontal rows on front and back, and band of beads on top of each sleeve; hide fringe below bands of beads with larger blue, brown, black, red, and green beads; hide fringe at bottom hem, sides, beneath sleeves, and on sleeve openings — Dress, c. 1875
Nez Perce

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blue and beige patterned fabric squares of various sizes sewn onto a pieced together, tan fabric background; two light beige patches sewn on L side, and one brown patch at C; white stitching on patch edges and as accent — Patchwork (boro) bedding liner (futon-uraji), 19th century
Unknown Japanese

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Water Edge Series, Caroline Greenwald — Water Edge Series, 1977
Caroline Greenwald

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Basket, Date Unknown

Unknown Japanese

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navy blue sleeves and collar; upper half of main body is off white with navy diamond and circle pattern; lower half of body is navy with horizontal line patter of small, off white stitches; blue square patch on either hip — Woman’s workwear (noragi) jacket with kogin embroidery made in the Tōhoku Region, early 20th century
Unknown Japanese

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small blue robe with off-white pattern consisting of flowers, fans, and birds throughout; off white, interior lining below collar and at back center — Blue-ground child’s kimono, late 19th century
Unknown Japanese

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blue woven hemp kimono with white embroidered chest and back area — Dark blue-ground kimono with partial kogin embroidery made in Aomori Prefecture, early 20th century
Unknown Japanese

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a: three "wave" forms that create "S" shapes in black, gold and bronze b: two "wave" froms that create "S" shapes in black and silver/green — Elements II, 2012
Matsushima Sakurako

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round form with three lines that double back on themselves in "S" shapes; bronze, gold and black with square shell inlay; round form is brown with a wood texture — Undercurrents 2009-II, 2009
Matsushima Sakurako

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lacquered gourd with organic and geometric designs suspended to lacquered plaque with wire; two bent wooden "arms" on sides of gourd; golden tuft emerging from top of gourd, ending in two spirals; golden persimmon (?) attached to bottom of gourd; black lacquered plaque with golden center; rounded at top with two horizontal spikes on either side, ending in narrow "tail" — A Magician of the Forest, 2008
Sano Akira

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Eve and Adam, Arthur Dial — Eve and Adam, 1989
Arthur Dial

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large brown eyeball with reddish iris; textured on back; smooth on iris and retina — This One, 2006
Yokouchi Mie

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(Place Mats), 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

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(Place Mats), 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

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(Place Mats), 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

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Volume 40 of the Garland Sutra from the "Lost" Kuan Tsang Triptaka, 14th century

China

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